If askance he eyed the good looks, cheery health and frank enjoyment of young life in Billy Budd, it was because these went along with a nature that, as Claggart magnetically felt, had in its simplicity never willed malice or experienced the reactionary bite of that serpent. To him, the spirit lodged within Billy, and looking out from his welkin eyes as from windows, that ineffability it was which made the dimple in his dyed cheek, suppled his joints, and dancing in his yellow curls made him preeminently the Handsome Sailor. One person excepted, the Master-at-arms was perhaps the only man in the ship intellectually capable of adequately appreciating the moral phenomenon presented in Billy Budd. And the insight but intensified his passion, which assuming various secret forms within him, at times assumed that of cynic disdain--disdain of innocence. To be nothing more than innocent! Yet in an aesthetic way he saw the charm of it, the courageous free-and-easy temper of it, and fain would have shared it, but he despaired of it. With no power to annul the elemental evil in him, tho' readily enough he could hide it; apprehending the good, but powerless to be it; a nature like Claggart's surcharged with energy as such natures almost invariably are, what recourse is left to it but to recoil upon itself and like the scorpion for which the Creator alone is responsible, act out to the end the part allotted it. Passion, and passion in its profoundest, is not a thing demanding a palatial stage whereon to play its part. Down among the groundlings, among the beggars and rakers of the garbage, profound passion is enacted. And the circumstances that provoke it, however trivial or mean, are no measure of its power. In the present instance the stage is a scrubbed gun deck, and one of the external provocations a man-of-war's-man's spilled soup. |
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